WANG Dongling

XU Shen “Shuowen Jiezi, Chapter 13” in entangled script
2016
250 x 373.5 cm
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Zhen Ma (Stallion Dynamism)
2016
96 x 178 cm
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Xun Mu (Flexibility)
2016
96 x 178 cm
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Dui Chi (Satisfaction)
2015
178 x 96 cm
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Li Gui (Radiance)
2015
178 x 96 cm
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WANG Anshi “Leaving the Mountain in the Steps of the Moon” in entangled script
2016
152 x 83.5 cm
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HUANG Tingjian “Raising a Wine Cup under the Bamboo” in entangled script
2016
152 x 83.5 cm
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Da-ji : Great Auspices
2012
179 x 97 cm
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Da-shun : Great Ease
2012
179 x 97 cm
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Couplet : Spring Breeze Autumn Ripples
2013
136 x 68 cm
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Romantic Comedy
2013
33 x 66 cm
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‘The Book of Change’, Entangled Script《「易經」亂書》
2017
220 x 120 cm
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‘The Book of Change’, Entangled Script《鄧石如「海為龍世界」亂書》
2017
220 x 120 cm
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CHENG Kwok Kong, ‘Years Flowing Like Water’, Entangled Script《鄭國江「似水流年」亂書》
2017
79 x 54.5 cm
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SU Shi, ‘Butterflies Enamoured with Flowers’, Entangled Script《蘇軾「蝶戀花」亂書》
2017
79 x 54.5 cm
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XIN Qiji, ‘Green Jade Table: First Full Moon of the Year’, Entangled Script《辛棄疾「青玉案•元夕」亂書》
2017
79 x 54.5 cm
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DU Fu, ‘Quatrains’, Grass Script《杜甫「絕句」草書》
2017
79 x 54.5 cm
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DU Fu, ‘Quatrains’, Grass Script《杜甫「絕句」草書》
2017
85 x 55.5 cm
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BAI Juyi, ‘Song of the River by Evening’, Grass Script《白居易「暮江吟」草書》
2017
79 x 54.5 cm
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TANG Xianzu, ‘Peony Pavilion: Introduction of the Thrush’, Entangled Script《湯顯祖「牡丹亭:畫眉序」亂書》
2017
79 x 54.5 cm
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SU Shi, ‘Prelude to the Water Melody’, Entangled Script《蘇軾「水調歌頭」亂書》
2017
200 x 200 cm
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SU Shi, ‘Prelude to the Water Melody’, Entangled Script《蘇軾「水調歌頭」亂書》
2017
79 x 54.5 cm
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LI Bai, ‘Invitation to Wine’, Entangled Script《李白「將進酒」亂書》
2017
69 x 69 cm
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WANG Wei, ‘The Bamboo Grove Pavilion’, Entangled Script《王維「竹里館」 亂書》
2017
61 x 46 cm
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BAI Juyi, ‘Invitation to Liu the Nineteenth’, Entangled Script《白居易「問劉十九」亂書》
2017
61 x 46 cm
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LI Bai, ‘Night Thoughts’, Entangled Script《李白「靜夜思」亂書》
2017
61 x 46 cm
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WANG Wei, ‘Yearning’, Entangled Script《王維「相思」亂書》
2017
61 x 46 cm
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MENG Haoran, ‘Spring Morning’, Entangled Script《孟浩然「春曉」亂書》
2017
61 x 46 cm
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WANG Wei ‘The Ravine of Birdsong’, Entangled Script《王維「鳥鳴澗」亂書》
2017
220 x 120 cm
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Cheng Hao, ‘Autumn Moon’, Entangled Script《程顥「秋月」亂書》
2017
220 x 120 cm
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Yang Zhen, ‘Lin Jiang Xian’, Entangled Script《楊慎「臨江仙」亂書》
2017
220 x 120 cm
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Yang Zhen, ‘Lin Jiang Xian’, Entangled Script《老子「道德經」亂書》
2017
220 x 120 cm
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SU Shi ‘Nian Nu Jiao : Memories of the Past at Red Cliff’, Entangled Script《蘇軾「念奴嬌:赤壁懷古」亂書》
2017
220 x 120 cm
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Cheng Kwok Kong ‘Ripplese’, Entangled Script《鄭國江「漣漪」亂書》
2017
220 x 120 cm
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WEI Zhuang, ‘Melancholy Parting at the Red Tower at Night’, Entangled Script《韋莊「紅樓別夜堪惆悵」亂書》
2017
200 x 200 cm
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WANG Anshi, ‘Leaving the Mountain in the Steps of the Moon’, Entangled Script《王安石「隨月出山去」亂書》
2016
152 x 83.5 cm
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HUANG Tingjian, ‘Raising a Wine Cup under the Bamboo’, Entangled Script《黃庭堅「竹下傾春酒」亂書》
2016
152 x 83.5 cm
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YAN Shu, ‘Sandy Creek Washers’, Entangled Script《晏殊「浣溪沙」亂書》
2016
96 x 178 cm
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GONG Zi-zhen, ‘Rise!’, Entangled Script《龔自珍「夢中作四截句之二」亂書》
2016
96 x 178 cm
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In the Mood for Love《花樣年華》
2013
71.5 x 68.5 cm
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Women Flower《女人花》
2013
57 x 63 cm
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