QIU Zhijie
邱志傑works in Beijing (b. 1969, Fujian)
| 1969 | Born in Zhangzhou, Fujian Province |
| 1992 | Graduated from the Printmaking Department, Zhejiang Academy of Fine Arts (now China Academy of Art, CAA), Hangzhou, Zhejiang Province |
| Currently | Lives and works in Beijing and Hangzhou, China |
Selected Solo Exibition
| 2024 | Eco-Lab, Galleria Continua, Beijing |
| Old Soul, Kulangsu Center of Contemporary Art, Xiamen | |
| 2022 | Qiu Zhijie, Talbot Rice Gallery, The University of Edinburgh, Edinburgh, UK |
| 2020 | Qiu Zhijie – Colorful Lantern Scroll Project, SKP Rendez-Vous, Beijing |
| Lectures, Galleria Continua, Beijing | |
| 2019 | Qiu Zhijie – Mappa Mundi, Ullens Center for Contemporary Art (UCCA), Beijing |
| Qiu Zhijie: Ici un dragon, Passage Sainte-Croix, Nantes, France | |
| 2018 | Qiu Zhijie – Journeys Without Arrivals, Centre d’Art Contemporain Genève, Genève, Suisse |
| Qiu Zhijie – Notes of the Colorful Lantern Scroll Project, Beijing Minsheng Art Museum, Beijing | |
| Qiu Zhijie: Living Writing, 21st Century Museum of Contemporary Art Kanazawa, Kanazawa, Japan | |
| 2017 | Journeys Without Arrivals, Van Abbemuseum, Netherland |
| 2016 | Racing against time, Galleria Continua, San Gimignano, Italy |
| -Isms at the end of the world, Fengmian Art Space Gallery, Guangzhou | |
| 2015 | Qiu Notes on the Lantern Festival Project, Museum of Contemporary Art of CAA, Hangzhou |
| Qiu Zhijie, ARNDT Singapore, Singapore | |
| 2014 | Everything has Its Soul, Meilun Art Museum , Hunan Arts-Press, Changsha |
| Homogeneity: The Nanjing Yangzi River Bridge Project, Museum of Nanjing Art Academy, Nanjing | |
| Qiu Zhijie: Solo Exhibition, Hanart TZ Gallery, Art Basel, Switzerland | |
| 2013 | Qiu Zhijie: Bird’s Eye View, Hanart TZ Gallery, Hong Kong |
| Qiu Zhijie: The Universe of Naming, Spring Workshop, Hong Kong | |
| 2013 Fondazione Querini Stampalia : Qiu Zhijie – The Unicorn and the Dragon, Venice, Italy | |
| Qiu Zhijie: SATIRE, Galleria Continua, Beijing, China | |
| Qiu Zhijie: TEXT-URE, Tian Ren He Yi Art Center, Hangzhou, China | |
| 2012 | Bi-Cities Exhibitions of Chinese new painting: Qiu Zhijie-Tathagata, Tian Ren He Yi Art Center, Hangzhou, China |
| Blueprints, Witte de With, Rotterdam, Holland | |
| 2011 | Qiu Zhijie: DÉJÀ VU,Hanart TZ Gallery, Hong Kong |
| Energy, Times Square, Hong Kong | |
| Cell Pace Beijing, Beijing, China | |
| 2009 | Grand sight, Chambers Fine Art, New York, USA |
| A Suicidology of The Nanjing Yangzi River Bridge 4 – Twilight of the idols, The world’s Cultural Palace, Berlin, Germany | |
| A Suicidology of The Nanjing Yangzi River Bridge 3 – Breaking through the ice, UCCA, Beijing, China | |
| 2008 | The Bridge, Nanjing, Under the Heaven, Hanart Gallery, Hongkong |
| A Suicidology of The Nanjing Yangzi River Bridge 1 – Ataraxic of Zhuang Zi, Shanghai Zendai Museum of Modern Art, Shanghai, China | |
| A Suicidology of The Nanjing Yangzi River Bridge 2 -The Bridge , Nanjing, Under the Heaven, The Singapore Tyler Print Institute, Singapore | |
| Mochou, Chambers Fine Art, Beijing, China | |
| Nanjing: A bridge, A City, Guanxiang Art Center, Taipei | |
| 2007 | Cryptogram, Hanart Gallery, Hongkong |
| The Shape of Time, Chambers Fine Art, New York , USA | |
| Archeology of Memory, Long March Space, Beijing, China | |
| 2006 | Let there be Light, Grace Li Gallery, Zurich, Switzerland |
| 2005 | Light and Words, Hanart TZ Gallery, Hong Kong |
| Melancholy Man, Gallery Loft, Paris, France | |
| Black and White Zoo, Gallery of Dartington Art Academy, UK | |
| 2004 | Social Portrait Courtyard Gallery, Beijing, China |
| 2003-2004 | Asian Parallel Times, Hong Kong Art Museum, Hong Kong, Casa Asia, & Barcelona, Spain, & Shenzhen Art Institute, Shenzhen, China |
| UFO: Qiu Zhijie’s Photography/Calligraphy, Gallery Loft, Paris, France | |
| 2001 | Qiu Zhijie Gallery Gen, Koshigaya, Japan |
| Invisibility: Qiu Zhijie, Ethan Cohen Fine Arts, New York, USA | |
| 2000 | Touch, Orient Foundation, Macau |
| 1999 | Innate Forces C Mixed Media: Works by Qiu Zhijie,Art Beatus Gallery, Vancouver, Canada |
| 1998 | Calendar 1998, Gallery of the Central Academy of Fine Arts, Beijing, China |
| 1997 | Logic: 5 Video-Installations, Gallery of the Central Academy of Fine Arts, Beijing, China |
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Selected Group Exhibitions |
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| 2024 | Reconstructing Horizons, Shijiazhuang Art Museum & Academy, Shijiazhuang, China |
| 2020 | Mappa Mundi, Boghossian Fondation-Villa Empain, Brussels, Belgium |
| Open Studio, Estudio Carlos Garaicoa, Madrid, Spain | |
| The Illustrated Word: Artwork Inspired by Calligraphy, Chambers Fine Art, New York, USA | |
| 2019 | Cosmopolis #2 – Repenser l’humain, Centre Pompidou, Paris, France |
| Intriguing Uncertainties, Parkview Museum, Beijing | |
| ‘Eldorama’ Lille 3000, Tripostal, Lille, France | |
| Tomorrow is the Question, ARoS Museum, Denmark | |
| 2018 | New Ink Art in China 1978-2018, Minsheng Art Museum, Beijing |
| 40×40:From 1978 To 2018 – Art History Shaped By 40 Artists, Powerlong Museum, Shanghai | |
| 40 years of Chinese Contemporary Photography, OCAT Shenzhen, Shenzhen | |
| Reconstructing Utopia – Architecture And Art Exhibition, The Oct Art & Design Gallery, Shenzhen, China | |
| The Fuck Off Generation – Chinese Art In The Post-Mao Era, Ethan Cohen, New York City, NY | |
| 2017 | Art and China After 1989 Theater of the World, Solomon R. Guggenheim Museum, New York City |
| The Exhibition of Annual of Contemporary Art of China, Minsheng Art Museum, Beijing | |
| Landmark – Mapping Contemporary Chinese Art, Jiade Artistic Center, Beijing | |
| Flowing Time – New Media Art From China, Corsia Delle Donne, Rome, Italy | |
| Image Core Sample – Video And Photography From The Collection Of Adrian Cheng, chi K11 Art Space, Shanghai | |
| The 2nd Session of Changjiang International Photography & Video Biennale , hongqing Museum of Contemporary Art, Chongqing | |
| 40 Years Of Chinese Contemporary Photography(1976-2017)- Three Shadows 10th Anniversary Special Exhibition, Three Shadows Photography Art Centre, Beijing | |
| 2016 | Cuarteto, Galleria Continua, Habana, Cuba |
| Bentu: Chinese Artists in a Time of Turbulence and Transformation, Foundation Louis Vuitton, Paris, France | |
| Linguistic Pavillion, Shanghai Minsheng Art Museum, Shanghai | |
| Thirty Year of Body Art Performance Happening Project Art Documents of China, Minsheng Art Museum, Beijing | |
| Take me out, chi K11 Art Space, Shanghai | |
| Why the Performance, Ming Contemporary Art Museum, Shanghai | |
| Shanshui Within, Museum of contemporary Art, Shanghai | |
| Collecting The Past Towards The Present – A Conversation Between Now And Then, BA Art Space, Shanghai | |
| Dunhuang – Song of the living Beings, Himalayas Art Museum Shanghai, Shanghai | |
| 2015 | Stereognosis Zone, Redtory Museum of Contrmporary Art, Guangzhou |
| Copyleft Appropriation Art in China, Shanghai Contemporary Art Museum, Shanghai | |
| Jingshen, Pac Padiglione D’arte Contemporanea, Milan, Italy | |
| Ancient Heritage: New Scenery a Contemporary Historical Path by the West Lake, SanshangArt, Hangzhou | |
| Sudden Change of Idea – An Exhibition on Comparative Study between Chinese and German Conceptual Art, United Art Museum, Hubei | |
| Revolution in Tradition: China’s Post-Ink Painting Era, Galerie Nathalie Obadia Paris-Brussels, France | |
| The Civil Power, Beijing Minsheng Art Museum, Beijing | |
| The 21st National Art Exhibition, Today Art Museum, Beijing | |
| Fervent China – Contemporary Monumental Sculptures, Les Anciens Abattoirs de Mons, Belgium | |
| China’s Changing Landscape: Contemporary Chinese Ink, Amos Anderson Art Museum, Finland | |
| Magical Mountains: Hanart TZ Gallery at Art Basel HK 2015, Hong Kong Convention and Exhibition Centre, Hong Kong | |
| 2014 | China’s Changing Landscape: Contemporary Art and Ink, Nordiska Akvarellmuseet, Sweden |
| POST POP: EAST MEETS WEST, Saatchi Gallery, United Kingdom | |
| Advance through Retreat, Rockbund Art Museum, Shanghai | |
| The 12nd National Art Exhibition, National Art Museum of China, Beijing | |
| Art Basel, Messeplatz, Basel, Switzerland | |
| The 31th Sao Paulo Art Biennial, Sao Paulo , Brazil | |
| Memory, Biennale china-Italia,, Beijing No.3 Plastic factory Culture Park , Beijing / Singapore Expo , Singapore | |
| Hanart 100: Idiosyncrasies, Hanart Square, Hong Kong | |
| Armory Arts Week, New York, USA | |
| Extensive Records Compiled in the Peace and Tranquility Years, Red Brick Museum, Beijing, China | |
| Opening Exhibition of Our Gallery, Our Gallery, Shanghai, China | |
| On site: Cross Contextual Ink Art Experience, Himalayas Museum, Shanghai, China | |
| 2013 | Ink Art: Past as Present in Contemporary China, Metropolitan Museum of Art, New York, USA |
| 2013 Beyond tradition-Chinese Contemporary Ink, Hong Kong Convention and Exhibition Center, Hong Kong | |
| The Origin of Dao: New Dimensions in Chinese Contemporary Art, Hong Kong Museum of Art, Hong Kong | |
| Insightful Charisma – Inaugural Exhibition, Shanghai Himalayas Museum, Shanghai | |
| La Biennale di Venezia, Museo Diocesano d’art scra, Venice, Italy | |
| Abu Dhabi Art 2013 Exhibition, Abu Dhabi, UAE | |
| Fine Art Asia 2013, Hong Kong Convention and Exhibition Centre, Hong Kong | |
| 2012 | 798 Sculpture Exhibition, Dashanzi Art District, Beijing, China |
| Beppu Art Month 2012, Beppu, Japan | |
| Face, Minsheng Art Museum, Shanghai, China | |
| Eine andere Moderne: Zeigenossische Chinesische Tuschemalerei, Kunsthaus Hamburg, Germany | |
| The First Xinjiang Biennial, Xinjiang International Exhibition Center, Xinjiang, China | |
| Blueprints (2012)–Qiu Zhijie and Shanghai Biennale Curatorial Summit, Witte de With Center for Contemporary Art, Rotterdam, Holland | |
| ink painting Exhibition, Saatchi gallery, London, England | |
| 2011 | How to become an empty man: Qiu Zhijie and Total Art Studio, Hanart Square, Hongkong |
| Hanart TZ Gallery at ART STAGE SINGAPORE, Singapore | |
| Guanxi – Contemporary Chinese Art, Guangdong Museum of Art, Guangzhou | |
| The 4th Guangzhou Triennial, Guangdong Museum of Art, Guangzhou | |
| XUAN ETC, Shanghai Gallery of Art, Shanghai, China | |
| The 2nd Chinese Characters Festival between Taiwan and Mainland, Taipei | |
| Kaza Ana/Air Hole: Another Form of Conceptualism from Asia, The National Museum of art, Osaka, Japan | |
| 2010 | Shanghai Biennale, Shanghai Art Museum, Shanghai |
| Brainstorming: Qiu Zhijie and Total Art Studio, Guangdong Museum of Art, Guangzhou | |
| Construction Dimension, National Art Museum of China, Beijing | |
| Reshaping History – Chinart from 2000 to 2009, National Convention Center, Beijing | |
| Great Performances, Pace Gallery, Beijing | |
| 2009 | Art in use: Sculptural Objects, Pao Galleries, Hong Kong Arts Centre, Hong Kong |
| Media Art China 2009: Timelapse, A Swiss-China Media Art Exhibition, National Art Museum of China, Beijing | |
| Delay of Time: Multi-media, National Art Museum of China, Beijing | |
| Breaking Forecast: Eight Key Figures of China’s New Generation of Artists, UCCA, Beijing | |
| A Suicidology of the Nanjing Yangtze River Bridge (4)- Twilight of the Idols, The House of World Cultures, Berlin, Germany | |
| 53rd Venice Biennale, Venice, Italy | |
| Fukutake House Echigo-Tsumari Art Triennial 2009, Fukutake House, Japan | |
| Shanghai Contemporary, Shanghai Exhibition Center, Shanghai | |
| The 4th Fukuoka Asian Art Triennale 2009, Fukuoka Asian Art Museum, Japan | |
| Future Together, Arario, Beijing, China | |
| BLADE-Beeonstruct Leifeng Pagoda, SZ ART CENTER, Beijing | |
| Broadsheet Notations, Tang Contemporary Art, Hong Kong | |
| Paper! Paper! Chambers Fine Art, New York , USA | |
| 2008 | FOTOFEST2008 – CHINA,the Twelfth International Biennial of Photography and Photo-related Art in Houston, Houston, USA |
| Crosscurrents: New Media Art, Osage Gallery, Hong Kong; Singapore | |
| A Question of Evidence, Thyssen-Bornemisza Art Contemporary, Vienna, Austria | |
| Time-lag: the New Force of Chinese Contemporary Art, Magee Art Gallery, Madrid, Spain | |
| Farewell to Post-colonialism: the 3rd Guangzhou Triennial, Guangdong Museum of Art, Guangzhou | |
| Asia in Harmony: The 23rd Asian International Art Exhibition, Ucity Art Museum of Guangzhou Academic of Fine Art, Guangzhou | |
| Unpack: Creation and Education of Chinese contemporary Art, Museum of China Art Academy, Hangzhou | |
| Art Charity China, Museum of Centre art Academy, Beijing | |
| Our Future:The Guy & Myrian Ullens Foundation Collection, UCCA, Beijing | |
| Dior and Chinese Contemporary Artist, UCCA, Beijing | |
| Where Are We? Beijing Center For Arts, Beijing | |
| Building Code Violations 2, Long March Space, Beijing | |
| Community of Tastes, Iberia Center for Contemporary Art, Beijing | |
| 2D / 3D Negotiating Visual Languages, PKM Gallery, Beijing | |
| The Origin: 1st Annual Moon River Sculpture Festival, Moon River Museum of Contemporary Art, Beijing | |
| Poetic Realism: A Reinterpretation of Jiangnan, Francisco Tomásy Valiente Art Center, Madrid, Spain | |
| 55 Days in Valencia: Chinese Art Meeting, Valencia Institute of Modern Art, Valencia, Spain | |
| Dream Or Reality: Chinese Art Today, Chambers Fine Art; Amsterdam, The Netherlands | |
| 2007 | Time: Possibility of The Time Expression, Central Academy of Art, Beijing |
| The Real Things: Contemporary Chinese Art, Tate Liverpool, Liverpool, UK | |
| The 2nd Guangzhou Photo Biennial, Guangdong Art Museum, Guangzhou | |
| Forget Reality! Universal Studio, Beijing | |
| Biennial of the End of the World, Ushuaia, Argentina | |
| Collective Identity, Chinese Art Centre, Manchester, UK | |
| 2nd Moscow Biennale: We Are Your Future, Moscow, Russia | |
| Post Socialism, National Gallery, Moscow, Russia | |
| Asian-Europe Mediations: Contemporary Asian and European Art, Museum Narodowe, Poznan, Poland | |
| Photography by Night, Hanart TZ Gallery, Hong Kong | |
| Dream Place, A Space, Beijing | |
| China’s Performance Art Photography, 798 Inter Art Center, Beijing | |
| To the horizon of Shangri-La, Frac Lorraine, France | |
| Made in China, Louisiana Museum of Modern Art, Copenhagen, Denmark | |
| China Under Construction: Contemporary Art from the Peoples Republic, Deborah Colton Gallery Houston, Texas, USA | |
| Deviate: The 1st Anhui Chinese Contemporary Art Exhibition, Gold Zone, Hefei | |
| Why Go to Tibet, Long March Space, Beijing | |
| Nanjing Yangzi River Bridge, Art on Canvas Museum, Nanjing | |
| Soft Power: Asian Attitude, Zendai Museum of Modern Art, Shanghai | |
| Performa 07, Chinatown, New York, USA | |
| New Photo: Ten Years, Three Shadows Photography Art Center, Beijing | |
| 2006 | Personal Space: New Perspectives from China, Thomas Erben Gallery, New York, USA |
| Reinventing Books in Chinese Contemporary Art, China Institute Gallery, New York; Seattle Gallery, Seattle, Washington, USA | |
| We: Zhang Peili and Qiu Zhijie, CAA Art Space, Hangzhou, China | |
| Entry Gate: Chinese Aesthetics of Heterogeneity, MOCA Shanghai, Shanghai | |
| Long March Project, Long March Art Space, Beijing | |
| 6th Gwuangju Biennale, Gwuangju, Korea | |
| Shu: Reinventing Books in Chinese Contemporary Art, China Institute Gallery, New York, USA | |
| Transposition: Translating Performance, Kampnagel Art Center, Hamburg, Germany | |
| Microcosm: Chinese Contemporary Art, Macau Museum of Art, Macau | |
| Black and White Zoo, Huashan Art Space, Taipei, Taiwan | |
| Heojun Festival, Heojun Art Park, Heojun, South Korea | |
| Asian Prophecy, Gallery Loop, Seoul, South Korea | |
| 2005 | Between Past and Future: New Photography and Video from China, Victoria and Albert Museum, London, UK |
| The Second Guangzhou Triennial, Guangdong Art Museum, Guangzhou | |
| Written·Unwritten: Opening the Time and Space of Calligraphy, The China Academy of Art Gallery, Hangzhou | |
| In the Deep of Reality: A Case of Chinese Contemporary Art, Hangzhou, China | |
| The Response of Today’s Art to Hans Christian Andersen, Millennium Art Museum, Beijing | |
| Enjoy Oneself, Art Commune, Hong Kong | |
| Chinese Behavioral Art Invitational Exhibition, Macau Art Museum, Macau | |
| The Second Reality: Photographs from China, European Commission, Brussels, Belgium | |
| Living in Interesting Times: A Decade of New Chinese Photography, The Open Museum of Photography, Tel Hai, Israel | |
| Traces and Omens: Noorderlicht 2005 Festival, Groningen, The Netherlands | |
| On the Edge: Contemporary Chinese Artists Encounter the West, Cantor Arts Center, Stanford University, Stanford, USA | |
| Trading Place, Taipei Museum of Contemporary Art, Taipei, Taiwan | |
| The Response of Today’s Art to Hans Christian Andersen, Millennium Art Museum, Beijing, China | |
| Traces & Omens: Noorderlicht 2005 Festival Groningen, the Netherlands | |
| Faity Tales Forever: Homage to Anderson, ARoS Aarhus Kunstmuseum, Denmark | |
| Monumental Plan, CCAA Art School, San Francisco, USA | |
| YOKOHAMA 2005: International Triennial of Contemporary Art, Yokohama, Japan | |
| Video Zoom China, Sala 1 Gallery, Rome, Italy | |
| Young Chinese Contemporary Art, Red Bull Hangar-7, Salzburg, Austria | |
| Night, Courtyard Gallery, Beijing , China | |
| 2004 | Me, Me, Me! , Courtyard Gallery, Beijing |
| Dot/Proliferation and Penetration: Visual Expression from Paper and Ink Art, National Gallery of Malaysia, Kuala Lumpur, Malaysia | |
| Space A New: Qiu Zhijie, Wang Jianwei, & Yang Fudong, Shanghai Gallery of Art, Shanghai | |
| Between the Past and the Future, International Photography Center, New York,& The David and Alfred Smart Museum of Art, the University of Chicago, Chicago, USA | |
| Hua Jia Di Artists, China Art Seasons Gallery, Beijing | |
| Technology of the Visible: the 5th Shanghai Biennial, Shanghai Art Museum, Shanghai | |
| Celebrating 20 Years of Hanart, Hanart TZ Gallery, Hong Kong Art Center, Hong Kong | |
| Light as Fuck! Shanghai Assemblage 2000-2004, the National Museum of Contemporary Art, Oslo, Norway | |
| The Monk and the Demon, Musee d’Art Contemporatain de Lyon, Lyon, France | |
| 2003 | The Minority is Subordinate to the Majority, Bizart, Shanghai |
| Tower of Babel, Mainz City Museum, Mainz, Germany | |
| Left Hand, Right Hand, 798 SPACE, Beijing | |
| Trojan Horse Project, Shenghua Art Center, Nanjing | |
| Leftside, Leftbank Art Gallery, Beijing | |
| Experimental Realty Show, Ditan Park, Beijing | |
| Lijiang International Art Workshop, Lijiang | |
| Department, Baitaling Art Center, Hangzhou | |
| Two Fold Time: Asian Art Exhibition, Museum of CAA, Hangzhou | |
| Distance, Guangdong Art Museum, Guangzhou, China | |
| That’s China, Centre Pompidou, Paris, France | |
| Post-Sense Sensibility: Inside Story, Beijing Children Theater, Beijing, China | |
| Chinese Maximalism, Millennium Art Museum, The Hall of Modern Art, Beijing, China | |
| Chine: Experimental Video and Cinema from China and Taiwan, Center Wallonie Bruxelles, Paris, France | |
| How We Live, Queensland Art Gallery, Australia | |
| A Strange Heaven: Chinese Contemporary Photography, Galerie Rudolfinum, Prague, Czech Republic | |
| 2002 | The 25th São Paulo Art Biennial, San Polo, Brazil |
| Gwuangju Biennale, Gwuangju, Korea | |
| The Third Space in the Fourth World: Multimedia Art of China and Netherlands, Eastlink Art, Shanghai | |
| The First Guangzhou Triennial, Guangdong Museum of Art , Guangzhou, China | |
| Daydream, Nanjing Museum, Nanjing, China | |
| Too Much Flavour, 3H Art Center, Shanghai & Avant-Gerde@Hakaren, Singapore | |
| Pingyao International Photography Festival, Pingyao, China | |
| Long March: A Walking Visual Display, China | |
| 2001 | Translated Act, Haus Der Kulturen der Welt, Berlin, Germany, & Queens Museum of Art, New York, USA |
| Digital Arts Festival, Loft New Medium Art Center, Beijing, China | |
| Virtual Future, Guangdong Museum of Art, Guangzhou, China | |
| Hot Pot, Kunstnernes Hus, Oslo, Norway | |
| Mantic Ecstasy, Impression Gallery, Hangzhou; Bizart, Shanghai; Loft New Medium Art Space, Beijing | |
| Post-sense Sensibility: Spree, Beijing Film Academy, Beijing | |
| Asia-Pacific Multimedia Art Festival, Brisbane, Australia | |
| Next Wave News, Loft New Medium Art Center, Beijing | |
| The 3rd Mercosul Biennial, Mercosul, Brazil | |
| Cross: The Urban Public Environmental Solution Exhibition, Chengdu Modern Art Museum, Chengdu | |
| Sound Art 2, Jiezi Yuan Art Space, Beijing | |
| 20 Years Experiment of Ink Painting, Guangdong Museum of Art, Guangzhou | |
| The 16th Asian International Art Exhibition, Guangdong Museum of Art, Guangzhou | |
| Re-shuffle, Shenzhen Sculpture Academy, Shenzhen | |
| The 1st Chengdu Biennial, Chengdu Modern Art museum, Chengdu | |
| Retribution, Jiezi Yuan Art Space, Beijing | |
| Non-Linear Narrative: The New Media Arts Festival, China | |
| Synchronize, Gother Insitutite, Hong Kong | |
| 2000 | Echo Point, Hanart TZ Gallery, Hong Kong |
| Life Style of the Future, Xieyang Island, Guangxi Beihai, China | |
| Chinese Scene: Conceptual Photography, Seasons Gallery, Beijing | |
| Medial and Internet Art of China, Jilin Art Academy, Changchun, China | |
| Sapporo Artist in Residence, CAI, Sapporo, Japan | |
| Family?: Contemporary Art Project, International Furniture Center, Shanghai | |
| Touch – Multimedia/Performance Arts, Guangzhou, China | |
| Chinese Performance, J.G.M. Gallery, Paris, China | |
| Inside Out: New Chinese Art, Hong Kong Arts Museum, Hong Kong | |
| Asia-Pacific New Medial Art Festival, Australia | |
| Unusual & Usual, Yuangong Modern Art Museum, Shanghai, China | |
| Power of the Word, Faulconer Gallery, Grinnell College, Iowa, USA | |
| 1999 | Post-sense Sensibility: Alien Bodies and Delusion, Beijing, China |
| Unveiled Reality: Contemporary Photography, Art Beatus Gallery, Vancouver, Canada | |
| Transience: Chinese Experimental Art at the End of the Twentieth Century, The David and Alfred Smart Museum of Art, the University of Chicago, Chicago, University of Oregon Museum of art, Eugene, Oregon, & Hood Museum of Art, Dartmouth College, New Hampshire, USA | |
| Fast>>Forward: New Chinese Video Art, Center of Contemporary Art, Macau | |
| The 14th Asian International Art Exhibition, Fukuoka Asian Art Museum, Japan | |
| 99′ Chinese-Japanese Contemporary Art Exchange, Fuzhou Art Academy, Fuzhou, China | |
| Power of the Word, Taiwan Museum of Art, Taizhong, Taiwan | |
| Chinese-Hong Kong video Festival, Museum of Site, Hong Kong | |
| Beijing in London, Institute of Contemporary Art, London, UK | |
| Contemporary Chinese Architecture Exhibition, National Museum of Art, Beijing, China | |
| Food for Thought: An Insight in Chinese Contemporary Art, Canvas World Art/Canvas Foundation, Amsterdam, The Netherlands | |
| Chinese Contemporary Art, Gallery Loft, Paris, France | |
| Chinese Contemporary Photography and Video, International Arts Festival, Tachikawa, Japan | |
| 1998 | Inside Out: New Chinese Art, MoMA PS1, New York; San Francisco Museum of Modern Art, San Francisco.;Museum of Contemporary Art, Monterrey, Mexico |
| Trade of Being, Present Art Center, Beijing | |
| Transmediale-98: 11th Video Festival, Podewil, Berlin, Germany | |
| Esperanto ’98, Jack Tilton Gallery, New York, USA | |
| Asia-Pacific Contemporary Art Exhibition, Fuzhou Art Academy, Fuzhou, China | |
| Per video: Video From Artist International, Ludwig Museum, Koln, Germany | |
| Photography as Concept: 4th International Photo Triennial, Stadt Museum, Esslingen, Germany | |
| Videonale 8, Bonner Kunstverein, Bonn, Germany | |
| Multimedia Festival ‘98, Kiasma Museum of Contemporary Art, Helsinki, Finland | |
| Computer – Video Arts Festival, Industrial Design School, Changchun, China | |
| Is Me!: A profile of Chinese Contemporary Art in the 90s, Forbidden City Tai Miao, Beijing | |
| Life, Wang Fung Art Gallery, Beijing | |
| 1997 | Faces and Bodies of The Middle Kingdom, Gallery Rudolfinum, Prague |
| Drift, Fujian Art Academy, Fuzhou, China | |
| Demonstration of Video Art ’97 China, Gallery of the Central Academy of Fine Arts, Beijing | |
| New Image: Conceptual Photography, Visual Art Center, Beijing | |
| New Photography Artist of China, Neuer Berliner Kunstrerein, Berlin, Germany | |
| 1996 In The Name of Art, Liu Haisu Art Museum, Shanghai | |
| Phenomenon/Image: Video Art in China, Gallery of Zhejiang Academy Of Fine Art, Hangzhou, China | |
| 1995 | From the Central Kingdom: Chinese Avant-garde Artists, Santa Monica Art Center, Barcelona, Spain |
| Out of the National Ideology: Avant-garde Art of China, Kanpnagel, Hamburg, Germany | |
| 1994 | The Third Documents Exhibition of Chinese Contemporary Art, East-China Normal University, Shanghai, China |
| 1993 | China’s New Art, Post-1989, Hong Kong Arts Festival, Hong Kong Arts Centre, Hong Kong; toured in Vancouver and various art institutes in USA from 1994 to 1997 |
| 1992 | The Second Documentary Exhibition of Chinese Contemporary Art, Guangzhou Fine Art Academy, Guangzhou |
Selected Curatorial Projects
| 2012 | Shanghai Biennale, The Museum of contemporary art Shanghai, Shanghai |
| 2005 | Archaeology of the future: The second China Art Festival three, Nanjing Museum, Nanjing |
| 2002 | Long March: A Walking Visual Display, Beijing, China |
| 2001 | Post-sense Sensibility: Spree, Beijing Film Academy, Beijing, China |
| 2000 | Family?: Contemporary Art Project, International Furniture Center, Shanghai, China |
| 1999 | Post-sense Sensibility: Alien Bodies and Delusion, Beijing, China |
Selected Public Collection
| Cantor Arts Center, Stanford University, Stanford, CA, USA |
| DSL Collection, France |
| Guangdong Museum of Art, Guangzhou |
| Guggenheim Museum, New York, NY, USA |
| Hong Kong Museum of Art |
| Institut Valencia d’Art Modern, Valencia, Spain |
| International Center of Photography, New York, NY, USA |
| Middlebury College Museum of Art, Middlebury College, Middlebury, VT, USA |
| National Gallery of Scotland, Edinburgh, Scotland |
| National Gallery Singapore, Singapore |
| Queensland Art Gallery, Queensland, Australia |
| Smart Museum of Art, University of Chicago, IL, USA |
| Ullens Center, Beijing |
| United States Embassy, Guangzhou |